Urban League of Portland Newsletters

Urban League of Portland Newsletters

The newsletters from the Urban League of Portland collection are now available online!

Over the years the Urban League published a variety of newsletters filled with photos and information about current programs, upcoming events, and featured individuals. The collection includes 40 newsletters, the majority of which are from the 1990s and 2000s with a couple from the 1980s. And now, all of the newsletters are available online as full text searchable PDFs.

Urban League Newsletters (Alphabetical Order by Title)

Urban League Newsletters (Chronological Order by Publication Date)

Newsletters in the Collection Include:

The Drum
– – – Vol 1 No 1, Fall 1986
The Multicultural Senior Center
– – – June 1999, July 2000, December 2001, January 2002, February 2002, March 2002
Our Children – Our Destiny
– – – Vol 5 No 2, Fall 1996; Vol 6 No 1, Spring 1997; Vol 6 No 2, Fall 1997; Vol 6 No 3, Winter 1997; Vol 7 No 1, Summer 1998, Vol 7 No 2, Fall 1998; Vol 7 No 3, Winter 1998
Update
– – – 1991; July 1991; December 1991; February 1992; May 1992; July 1992; February 1993; July 1993; February 1994; July 1994; 1996
The Urban Express
– – – Vol 1 No 1, Spring 2004; Vol 1 No 2, Fall 2004; Vol 2 No 2, Fall 2005
Urban League Newsletter
– – – 1980
The Urban Senior
– – – Vol 4 No 4, April 2008
Urban Voice
– – – Spring Edition 1999; January 2008
View
– – – Vol 2 No 2, Summer 1992; Vol 2 No 3, Winter 1992; Vol 3 No 1, Spring 1993; Vol 3 No 2, Summer/Fall 1993; Vol 4 No 1, Spring 1995; Vol 4 No 2, Summer 1995; Vol 5 No 1, Spring 1996; Vol 5 No 3, Winter 1996
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The OMA in the Civil Rights Digital Library

In honor of the 5oth Anniversary of the August 28, 1963 March on Washington for Jobs and Freedom the OMA is very excited to share that our digital collections are part of the Civil Rights Digital Library which is hosted by the University of Georgia.

The Civil Rights Digital Library (CRDL) has three principal components:

1) a digital video archive of historical news film allowing learners to be nearly eyewitnesses to key events of the Civil Rights Movement

2) a civil rights portal providing a seamless virtual library on the Movement by connecting related digital collections on a national scale

3) a learning objects component delivering secondary Web-based resources – such as contextual stories, encyclopedia articles, lesson plans, and activities–to facilitate the use of the video content in the learning process

The CRDL has numerous partners and a long list of Content Partners and Contributing Institutions meaning that the CRDL is a portal to other archives and their digital collections related to Civil Rights. And, the OMA is proud to be a Contributing Institution!

A couple of the collections featured include the Urban League of Portland Records and the 1969 Black Student Union Walkout. Be sure to check it out…

The OMA in the CRDL

The OMA is a part of the CRDL!

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The OMA at SAA 2013

Last week the OMA traveled to New Orleans to attend the Society of American Archivists Annual Meeting. And the OMA presented, twice!

First, the OMA participated in the “Women’s Archives: What Does the Future Hold?” Society of American Archivists Pre-Conference at Tulane University. As part of the panel presentation “Documenting Diverse Communities” the OMA shared two collaborative, community projects, the Chinese Disinterment Documents collection online exhibit and the Oregon Tribal Archives Institute, and how these projects can serve as models to assist communities in documenting their histories. The presentation is available online:  The Oregon Multicultural Archives: Documenting Diverse Communities through Digital Stewardship and Archival Education

Later in the week, the OMA attended and presented at the Performing Arts Roundtable. The presentation included updates regarding the American Theatre Archive Project and a description of the Oregon Multicultural Archives’ relationships and project plans with the Miracle Theatre Group and the Obo Addy Legacy Project. The presentation is available online: American Theatre Archive Project Updates & The Oregon Multicultural Archives: Collaborations with Performing Arts Groups in Oregon 

Throughout the conference there were a variety of sessions that pertained to the OMA including presentations regarding Native American archives and collections, community archives, building donor relationships, and collaborating with traditionally underrepresented communities to make their histories more visible.

Sessions the OMA attended include:

Archivists and Archives of Color Roundtable

Latin American and Caribbean Cultural Heritage Archives Roundtable

108 – Labor Rights Are Civil Rights: Discovering the Intersections of Labor History and Civil Rights in Labor Collections

208 – Native Americans and Route 66: Hidden Stories of the Mother Road

Acquisitions and Appraisal Section

302 – Archiving Hip Hop Culture: Collaborating Across Institutions and with Communities

406 – Journeys of Reconciliation: Institutions Studying Their Relationships to Slavery

Performing Arts Roundtable

603 – To Protect and Connect: Strategic Stewardship of Cultural Heritage Materials in the Archives

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 The OMA’s next conference will be the Cultural Heritage Archives Symposium in Washington D.C. and we will of course post all about it!

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DiaTribe ~ A Concert in Honor of Obo Addy

On Monday August 5th a very special concert took place in Portland’s Washington Park to honor and celebrate Obo Addy. DiaTribe: From the Village to the Streets was an incredible blend of African and urban U.S. music and dance. The concert featured an amazing group of artists who gave an uplifting performance for all in attendance!

The fusions of traditional and contemporary rhythms…

and movements…

combined together to create an unforgettable performance…

 To find out more about future performances follow the Obo Addy Legacy Project on Facebook

The OMA is so excited to be a part of this incredible community through our archives project with the organization! Be sure to follow Mike’s blog posts as he continues to process the collection: Obo Addy Legacy Project Archival Collection 

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The Miracle Theatre Group Archives Project ~ Let the Collection Processing Begin!

José Gonzalez, MTG Executive Director and Katrina O’Brien, MTG Archives Project Intern

It’s official, the Miracle Theatre Group (MTG) archives project now has a new intern! About a month ago, the previous intern, Mike Dicianna, wrote his final blog post regarding his work with the collection and the transition to the project’s new intern Katrina O’Brien; see Mike’s blog post: Miracle Theatre Archives ~ The Next Steps. Katrina is a grad student in an archives program and she brings a wealth of experience with her to this position. To find out more about her many experiences, check out Katrina’s Blog  

And so, the MTG project continues! Over the course of these next few months Katrina will process the collection; this means she will re-box and re-folder the materials (in special archival boxes and folders of course) and then she will use Mike’s proposed arrangement plan for the collection to organize all of the materials.

This is Katrina’s first week and she began by preparing and organizing her workspace; here’s what she had to say along with some great photos:  

“MTG has a rich history of theatre productions, outreach programming, and education. And because of this, its records are literally bursting at the seams. I’ve walked in after a very preliminary inventory covering two rooms, the smaller room known as the official archive room and the conference room which had become an overflow storage room including the overflow of records boxes. First step was to clean out the conference room to create a processing room. I wish I had taken a picture of what it looked like when I first walked in but let’s just say, archive labor can very much be manual labor.”

Check out Katrina’s great photos:

Everything everywhere…

 

 

 

 

Lots of post-it notes…

A much needed supply station (and more post it notes)…

Dozens of boxes means a there’s a lot of work ahead, but for an archivist it means more fun as well…

And so, let the collection processing begin!

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An Introduction to the Obo Addy Legacy Project Collection

Homowo African Arts and Cultures Promotion Card

The Oregon Multicultural Archives is honored to add another Portland, OR cultural arts organization to its collections. On Friday, June 21st, Natalia Fernández and I travelled to Portland to pick up the Obo Addy Legacy Project Collection.  This collection is made up of various forms of media (some quite challenging!), personal papers, photographs, and records of the Homowo African Arts & Cultures organization. The processing and arrangement of this collection will be my summer term 2013 internship project. This is the OMA’s second
major collection of cultural arts in Portland.
We are starting a trend here!

African Drums

Obo Addy was truly a regional and national treasure. Born Jan. 15, 1936 in Accra, the capital of Ghana, Addy was one of 55 children of Jacob Kpani Addy, a medicine man who integrated rhythmic music into healing and other rituals. Addy was designated by his tribe as a master drummer by the age of six.

The Arts Council of Ghana as a Ga master hired Addy in 1969, and he received his first international exposure at the Munich Summer Olympics in 1972. He then moved to London and spent six years touring internationally until 1978, when he moved to Portland. There he met and married his wife Susan, who began managing his musical career.

Founded by Obo and Susan Addy in 1986, Homowo African Arts & Cultures originally existed as a virtual cultural center with offerings in schools, parks, community centers, and performance venues all over the country. Obo passed away on September 13, 2012 leaving this rich legacy that will be carried on by the Obo Addy Legacy Project.

Example A/V Items

This project will be challenging on many levels.  The preservation of both audio and video media is crucial, the content will be very important to capture in archival formats.  The professional grade tapes will require special transfer processing which will be a fantastic learning experience.  This process is definitely not cheap, so there are also funding issues that can serve as “teaching moments”…oh joy!

The bulk of the collection involves records and promotional materials for the Homowo African Arts and Cultures organization and will require arrangement and description.  Best practices of records management will come into play again, like the Miracle Theater records; there are ancient utility bills that can be purged.

Collection Pick Up and Transfer Photos:

Pick Up at a Portland Storage Unit Transfer to the OMA Ready for Processing!

The Obo Addy Legacy Project Collection will prove to be a fascinating and rewarding project over the next few months. There will be new learning experiences in dealing with the media, and the history of this interesting individual and his African music will be a pleasure to work with. I am honored to have the opportunity to arrange and describe this cultural resource for the OMA.

 ~ Mike Dicianna, Obo Addy Legacy Project Collection Intern

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The OMA at ATALM 2013

This June the OMA traveled to Albuquerque, New Mexico, to attend and present at the 2013 International Conference of Indigenous Archives, Libraries, and Museums!

The Association for Tribal Archives, Libraries, and Museums (ATALM) hosts an amazing conference each year that includes a wide variety of topics – to learn more about the organization, check out the ATALM website

The two sessions featuring the OMA were:

“Developing and Organizing Professional Development Gatherings for Tribal Communities”
Over the past few years several states across the nation have created opportunities for professional development and networking specifically designed to meet the archival education needs of their local tribal communities. Three such gatherings
include Convening Culture Keepers in Wisconsin, the Native American Archives Symposium in Arizona, and the Oregon Tribal Archives Institute in Oregon (that’s us!).

Jennifer O’Neal, Historian and Archivist, University of Oregon Libraries was the session chair and the other two speakers included Omar Poler, Associate Outreach Specialist, University of Wisconsin-Madison School of Library and Information Studies and Jonathan Pringle, Curator of Visual Materials, Cline Library, Special Collections and Archives, Northern Arizona University

Click here for access to the OTAI Presentation

“Developing Successful Partnerships Between Tribal Communities and Non-Tribal Cultural Heritage Institutions”
Collaboration between tribal organizations and non-tribal cultural heritage institutions can create unique alliances and projects that build upon diverse and mutually beneficial partnerships. To encourage collaboration, several funding organizations have developed specialized initiatives for tribal organizations designed to strengthen and enrich the means for collaboration and project development. In this session each presenter discussed  strategies used to develop relationships and highlighted various projects to showcase successful partnerships.

The session chair was Elizabeth Joffrion, Director of Heritage Resources, Western Washington University, and speakers included Kimberly Christen, Associate Professor, Washington State University; Jennifer O’Neal, University Historian and Archivist, University of Oregon Libraries; and Cheryl Hinton, Director Emeritus/ Curator of Collections, Barona Cultural Center & Museum

Click here for access to the presentation regarding developing relationships between the OMA and tribal communities

The OMA’s next conference appearance will be in New Orleans at the Society of American Archivists annual meeting, so stay tuned for that!

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Miracle Theatre Archives ~ The Next Steps

Now that we know what is there, it is time to process the collection! Over the past months, the archives of the Miracle Theatre Group in Portland, OR have be massaged, fussed with, and inventoried. The sheer volume of materials that have accumulated over the thirty year history of the theater is staggering. It is, fortunately, very well organized. As an archival collection, it is rich with history, various forms of media and tons of ephemera.

As can be seen in the photograph, there is more to this collection than dusty old documents to put in acid free file folders.

The project is ready to continue to the next phase:  Arrangement and Description. We now have an idea of what materials are there, what needs to be weeded out, and a preliminary Series description to work from.

One last part of the inventory process will involve coming up with an estimate of what types and quantities of archival storage materials will be required for the processing. Due to the many different types of media in the collection, a variety of archival boxes will be required.

The VHS Video tape collections alone, again, remember we are talking 30 years, will require at least a dozen archival boxes.  Another concern involves the various forms of beautiful original artwork that has been accumulating. To preserve these pieces correctly, various sizes of oversize boxes will be utilized to store these items flat. Add to this mix a huge pile of cubic foot boxes to house paperwork. With proper records management procedures and a retention schedule for accounting records, we hope to reduce the volume by at least one third.

Changing of the Guard:

I will be relinquishing control of this project into the capable hands of Katrina O’Brien, a Graduate Student in Archival Sciences from San José State University. The next phase of the Miracle Theatre Project, sorting out this mess I’ve created, will be her capstone project for her Master’s Degree.

OMA Archivist Natalia Fernández, MTG Director José Gonzalez, and soon-to-be MTG intern Katrina O’Brien

A meeting of the minds was held, May 16th 2013, with Natalia Fernández, MTG Director José Gonzalez and the incoming and outgoing interns of this major project. It appears that the magnitude of the collection did not scare Katrina too much, so I consider this first contact a success.

The next phase of the project will involve the actual processing of the collection. This will be completed at the Miracle Theatre facility over the coming months. Decisions on what materials will be transferred to the Oregon Multicultural Archives in Corvallis will be made in consultation with José Gonzalez.  Some materials in the archive, such as the collection of scripts, will remain in Portland as they are accessed on a regular basis.  Old financial records, historically important production records and much of the ephemera will be housed at the OMA. This will insure the collection will be available to researchers and theatre historians.

I am confident the collection will be in good hands with Katrina. I will continue as a consultant to help her as required. The final phase of this project will include an exhibit of the collection and possibly a gala reception for the 30th Anniversary of the Miracle Theatre Group next spring.  Of course we will keep you all informed of the continued success of this project.

My next assignment will be equally challenging and exciting.  I will have the honor of working with another historic artist’s collection from Portland, OR. Stay tuned for an introduction to the Obo Addy Collection in a couple of weeks.

~ Mike Dicianna, Miracle Theatre Group Archives Project Intern

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OSU’s Native American Longhouse Eena Haws (Beaver House) Staff Oral History Interviews, Spring 2013

“Eena Haws” means “Beaver House” (beaver image by Haida Nation artist Clarence Mills)

In a collaborative effort between the OSU Native American Longhouse Eena Haws (NAL), Natchee Barnd, an Assistant Professor of Ethnic Studies and Native American Studies as part of the School of Language, Culture, and Society, and the OMA, we now have 7 oral history interviews with NAL staff members!

All interviewees were asked to share their experiences working at the NAL, give their perspective regarding the significance of the new Longhouse, and offer their ideas for the future of the Longhouse.

Hali’a Parish, Office Assistant

Interview Transcript and Interview Audio

Brief Biography:
Hali’a was born September 15, 1992, in Honolulu, Hawaii. Her hometown is Kapolei, Hawaii on the island of O’ahu. At the time of the interview she was a junior studying Business.

Interview Information:
Date: May 21, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:24:04
Interviewer: Natchee Barnd
Transcriber: Hope Ervin-Murillo

Interview Description:
Parish discusses her experiences and personal growth working on campus in the Native American Longhouse; her thoughts on the importance of diversity development in OSU and the local community; the joys and challenges of learning the Native American culture; the success of NAL participation in events such as Heritage Month, Connect Week, the annual Salmon Bake and the Grand Opening of the new Native American Longhouse; the September retreat in Salem for cultural centers staff; the opening of the new longhouse and the sense of community within; her ideas for Native Hawaiian activities, collaboration with the P0lynesian Culture Club and Hui o Hawai’i, and outreach to the local population; her advice to future longhouse staff; and her experiences as a Native Hawaiian both in Hawaii and here at OSU.

Carmen López, Office Assistant

Interview Transcript and Interview Audio

Brief Biography:
Carmen was born November 2, 1991, in Portland, Oregon. Her hometown is The Dalles, Oregon. At the time of the interview she was a junior double majoring in Human Development & Family Sciences and Spanish.

Interview Information:
Date: May 22, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:22:30
Interviewer: Natalia Fernández
Transcribers: Johnathan Ngo & Anna Brecheisen

Interview Description:
López discusses her experience working as an office assistant at NAL and learning about Native cultures; the NAL booth on Earth Day; the Salmon Bake event; the importance of salmon and camas to the tribes of the Pacific Northwest and the need to better communicate the meaning of salmon, camas, and dream catchers to event attendees; her experiences as a non-Native member of the staff; her feelings on missing the old Quonset hut, her advice for future non-Native NAL staff and any staff working in cultural centers they don’t racially or ethnically identify with the center in which they work; the significance of the full name of the new Longhouse; her ideas about the NAL collaborating with the 4Cs; and the positive effect of OSU 0n her personal identity as Latina, Mexicana, and Chicana.

Daniel Cárdenas, GTA

Interview Transcript and Interview Audio

Brief Biography:
Daniel was born May 24, 1985, in Anaheim Hills, California. His hometown is a suburb of Sacramento, Fair Oaks, California. At the time of the interview he was a first year grad student studying College Student Services Administration.

Interview Information:
Date: May 23, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:55:02
Interviewer: Natalia Fernández
Transcriber: Hope Ervin-Murillo

Interview Description:
Cárdenas discusses the challenges, responsibilities, and growth he has experienced working as a graduate teaching assistance in the Longhouse; the events of Native Heritage Month; the planning and challenges of opening and moving into the new Longhouse, the annual Pow Wow thrown by NASA; relationships with other cultural centers staff, ideas for intercultural center collaboration; the Oregon One Percent for Art law and the art in the new Longhouse, including the art of artist Shirod Younker; the importance of honoring intersecting identities, the generosity of the local Native community; ideas about bringing in Native language speakers, visiting other longhouses and building ties with the nine tribes of Oregon, and OSU’s impact on his personal racial, ethnic, and spiritual identity.

Nadia Alradhi, Activities Coordinator    

Interview Transcript and Interview Audio

Brief Biography:
Nadia was born March 19, 1992, in Eugene, Oregon. Her hometown is Estacada, Oregon. At the time of the interview she was a senior with plans to graduate in the Fall of 2013 with a degree in Public Health.

Interview Information:
Date: May 23, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:38:38
Interviewer: Natalia Fernández
Transcriber: Natalia Fernández

Interview Description:
Alradhi, a member of the Karuk Tribe of Northern California, describes her experiences as Activities Coordinator at the Native American Longhouse (NAL) and Secretary of the Native American Student Association (NASA). She discusses planning NAL activities; bringing events to OSU dorms; the challenge of advertising the NAL as available for non-natives as well as natives; NASA Pow Wow planning and Jim Thorpe’s 5k Dash for Diabetes; the challenges of learning more about other native tribes; the Transforming Columbus Day event in collaboration with the 4Cs; interacting and collaborating with other cultural centers; the addition of “Eena Haws” to the Longhouse name; her hope to bring back the “Calling All Natives” outreach event; advice for future staff; the effect of racism on her grandfather; the Longhouse impact on her as a Native student; negative comments from non-natives; her suggestions to get more exposure for NAL; her experience as an informal advocate for natives, and her wish for NAL and NASA to collaborate more.

Mariah Huhndorf, Activities Coordinator      

Interview Transcript and Interview Audio

Brief Biography:
Mariah was born November 13, 1991, in Anchorage, Alaska. Her hometown is Kenai, Alaska. At the time of the interview she was a junior studying General Science: Pre-Physician Assistant.

Interview Information:
Date: May 30, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:27:46
Interviewer: Natchee Barnd
Transcriber: Desiree Gorham

Interview Description:
Mariah, a native Alaskan with an Athabaskan mother and Yupik father, describes her experiences at Oregon State University, both as a student and as an Activities Coordinator at the Native American Longhouse. She discusses Longhouse events, such as the Alaska Winter Games, which she coordinated; the challenges and solutions that NAL staff have experienced with communication; her suggestions that staff learn more about events hosted at the NAL by other groups and work to make it clear that the NAL welcomes all visitors, native or not; what the new Longhouse means to her; how OSU and the NAL have affected her own identity as a native Alaskan; the importance of sharing stories and the “culture shock” she felt coming to Corvallis, with a population of about 54,700, from her hometown of Kenai, Alaska, with a population of about 7,000.

Matt Williams, Internal Coordinator     

Interview Transcript and Interview Audio

Brief Biography:
Matt was born January 05, 1992, in Roseburg, Oregon. His hometown is Winston, Oregon. At the time of the interview he was a junior studying Exercise and Sport Science.

Interview Information:
Date: May 30, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:40:47
Interviewer: Natchee Barnd
Transcriber: Hope Ervin-Murillo

Interview Description:
Matt Williams, a Native American with Oglala Sioux, Cherokee and Osage heritage, discusses his experiences as a student, a Native American, and a staff member at the Native American Longhouse (NAL). His discussions include his responsibilities, experiences, and personal growth as an NAL office assistant, activities coordinator and internal coordinator; the importance of teaching about native traditions; the Indigenous Feast at the end of Heritage Month; the Jackson family from Warm Springs Reservation; the challenges of managing time as a working student; NAL collaborations with various OSU departments and his desire for relationships with more departments; Dr. Robert Thompson’s talk about Native American and African American relations during the Civil War; his suggestions for future events and visits to native high schoolers; advice to future coordinators; the challenges of letting non-natives know they can use the NAL; his father’s adoption away from the Pine Ridge Reservation where he was born and subsequent separation from his culture; the N7 program and importance of basketball on many native reservations; stereotypes about Native Americans, and his experience of being mixed native and having a white mother.

Tyler Hogan, External Coordinator                 

Interview Transcript and Interview Audio

Brief Biography:
Tyler was born July 9, 1989, in Belleview, Washington. His hometown is Junction City, Oregon. At the time of the interview he was a senior studying Political Science.

Interview Information:
Date: June 3, 2013
Location: Oregon State University’s Native American Longhouse
Length: 00:36:09
Interviewer: Natalia Fernández
Transcriber: Anna Brecheisen & Johnathan Ngo

Interview Description:
Tyler, a member of the Cherokee Nation of Oklahoma, talks about his responsibilities and growth as an External Coordinator at the Native American Longhouse (NAL), where he was previously a volunteer, as well as his experiences as a Native American student at OSU. His discussions include the importance of the Salmon Bake event; the NAL’s relationships with nearby tribes and his desire to have more tribal outreach; Heritage Month events, including the Two-Spirit event and tribal resource kit; the difficulty of getting out a unified message when the NAL staff are from so many different cultures; the gathering of student input during the planning stages of the new Longhouse; what the new Longhouse means to him; his advice to future coordinators; how resilient, passionate, and empowered Native Americans are, especially when given the opportunity; the three functions of the Longhouse; the Longhouse as a “home away from home” for native students; the effect of the Longhouse on OSU and the local community; the Longhouse’s contribution to personal identity development of staff and visitors; negative comments and stereotypes about Native Americans, and the N7 program’s positive effect on cultural competency.

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Braceros Photos in a New Salem Art Exhibit

“Creating Abundance” Art Exhibition in Salem

Six photos from the Braceros in Photograph Collection are featured as part of a new art exhibition in Salem! 

The exhibit is Creating Abundance and “features work by Phil Decker, Judy Phipps, Deanna White, Joel Zak, Roberto Oran, Steve Scardina, Andrzej Maciejewski and Dorothea Lange, as well our historic photographs of Oregon’s Bracero Program. Each artist approaches the subject of food in Oregon from a different angle, resulting in a multi-faceted exhibition designed to elicit questions and conversations.”

~ Salem Art Association Website, Exhibitions

Here are some photos of the Braceros images: 

The Alcove Gallery Featuring the Braceros Photos

Photos from within the Alcove Gallery: 

  

 

 

 

 

 

Exhibit Information:

Location: Bush Barn Art House, Salem Art Association
                 600 Mis­sion St. SE, Salem, Ore­gon 97302

Dates: Now – the end of June 2013

Bush Barn Art Center

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