Tag Archives: exhibit

Some last thoughts (for now?) from Diana

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Our Summer Scholars’ time is drawing to a close at the end of the month, so we’re hearing some final words, at least for the moment, from some of them, starting with Diana:

“These past weeks have been filled with things that I never thought would happen and have surprised me in the most spectacular ways.  First, I went on vacation to Vancouver, BC and Seattle, WA which was a memorable experience.  I was able to see behind the scenes tanks and animals at the Vancouver Aquarium and even got to see Leonardo Da Vinci’s works in person as well as King Tutankhamen’s burial chamber items.  This vacation was a nice break from the craziness of the visitor’s center and refreshed me for another few weeks as an education intern.  The moment I returned many volunteers and other workers at Hatfield were asking about my vacation.  Even this little thing made me feel fully welcomed into the Hatfield family.  One of the first things that occurred when I returned was that many unannounced summer camps came into the visitor’s center which is always an experience.  Yet, one of the most progressive things I did was creating new signs for me shoreline erosion tank.  This time one of my mentors Mark Farley and I created 2 different signs compared to one long sign.  One sign said “The Erosion Problem” with photos of me showing how to use the paddle to create waves and see the erosion of the sand.  The second sign said “The Erosion Solution” and gave the visitors a chance to try 1 of 3 different protective strategies for beach/shoreline erosion.  These new larger signs seem to be working well for now.  I can already see a difference in the behavior of children and families when they come to wave tank; instead of sand castle building, they actually read the sings and follow the directions.

The visitor’s center also had some crazy moments.  We had Micro A and Micro B tanks overflow into the VC overnight and leave a lake in the surrounding area an inch deep.  That lake was an interesting mess to clean, but created a wonderful learning moment.  I was able to watch the aquarists and learn how to put on new filter bags as well as rework the tanks.  I was challenged to follow the pipes and figure out where the water went such as the outflow and inflow pipes.  Other crazy moments that occurred were people trying to put their whole hand inside of anemones or trying to crawl inside of the touch tank to touch the different fish.  While all of this was going on I also got to have some spectacular moments in the VC.

These spectacular moments occurred when the Aquarists took me under their wing and showed me some impressive things.  First, I got to see a fish necropsy which was highly informative and taught me new dissections skills.  I was also taught how to kill invasive coral apitasia with lemon juice.  I was able to inject a few micrometers of lemon juice into each invasive apitasia, which kills it almost instantaneously.  The apitasia tries as a defensive mechanism to spit its own guts out, but the lemon juice is too acidic.  I also learned through this process how to siphon a tank and change out the water while balancing the acidity in the water with baking soda, thus making the seawater more neutral.  Yet, the most spectacular thing I learned with the aquarists was how to feed all the animals in the Hatfield Marine Science Center.  I learned how and what to feed each animal except the octopus in the visitor’s center, which took a long time but was completely worth it.  The amount of knowledge I learned during that time was amazing and I will not forget anytime soon.  This entire summer has been a learning experience, but definitely a fun one that I shall remember for the rest of my life.”

 

From sketch to mock-up

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Summer Sea Grant Scholar Julie catches us up on her prototyping for the climate change exhibit:

“Would you like to take a survey?”  Yes, I have said that very phrase or a variation of it many times this week.  I have talked to more than 50 people and received some good feedback for my exhibit.  I also began working on my exhibit proposal and visuals to go along with it.  This is so fun!  I love that I get to create this, and my proposal will be used to pitch the plan to whatever company they get to make the exhibit program.  How sweet is that?

So, the plan is to have a big multi-touch table – here is what it looks like, from the ideum website:

 

You can’t see very well from that picture but people can grab photos or videos or other digital objects, resize and move them around and place them wherever they want using swipe, pinch, and other gestures as with tablets and multitouch smartphones.  It allows multiple users to surround the table as well and work together or independently. This is a video showing this table tested here at Hatfield- it has a lot of narration about Free Choice Learning, and you can see the table in action a little bit.

People will be able to learn about climate change and then create their own “story” about what they think is important about climate change or global warming.  My concept of the interface for this has gone through a metamorphosis.  Here are the various transformations the interface has gone through:

Stage 1: My initial messy drawing to get my thoughts on paper and make sure I was on the same page with the exhibit team.  At this point I thought we would just have a simple touch screen kiosk.

 

Stage 2: Mock-up made by Allison the graphic designer, using stage 1 as a guide.  I showed this to people as I interviewed them so they’d have an idea of what the heck I was talking about.

 

Stage 3: My own digital version I’m currently working on, now more in sync with the touch table.  The final version will go into my exhibit proposal.

 

Here’s what it looks like with a folder opened – upon touching a file, an animation would show the file opening and spilling the contents on the workspace to end up kind of like this:

 

This is a very exciting project to work on, and I’m glad to get to use and hone my skills in creativity, organization, and attention to detail.  This exhibit proposal will certainly need a lot of all 3 of those things.  It’s also very interesting to interview people- I find my preconceptions dashed often, which is very refreshing.  And it’s great to be able to tailor the exhibit to several different audiences, in hopes that the message will be well received by all, no matter where they currently stand in relation to the issue of climate change/ global warming.  Talking with folks helps me know for sure what kind of material each group wants, so I can maximize the success of the exhibit with that group.  I can’t wait to see this thing in the flesh – I have already decided I will have to take a vacation out here next summer just to check it out!

Wave energy device progress report

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Since we last heard from him, Summer Scholar Brian has made progress on his wave energy device model, but that progress has in turn revealed more work to be done:

“With the successful design of the ”Pelamis” prototype it’s now time to reconstruct it using materials that are more durable and can stand up to the wear and tear of public use.  The next step for me is to actually incorporate a working public-friendly version of the Pelamis into the wave tank.  The first design used wood to attach the hinges to and after a few weeks in the water the wood has started to mold and disintegrate.  This upcoming Tuesday I hope to find a replacement material such as PVC or aluminum that won’t corrode in water.  Another material that I have to replace is the pipe insulation foam inside the PVC that keeps the whole thing afloat.  I have noticed that the foam is getting more and more saturated with water so the buoyancy of the entire device is decreasing.  Luckily for me ping pong balls bit perfectly in the 1 ½ in pipe so I am going to try and use those for floatation because they will hopefully never lose their buoyancy.

I am really impressed with the way the model moves in the water right now and I am hoping that the new materials won’t impede or hinder the movements seen with the first prototype.  This model does not actually create any energy from the motion of waves. The idea behind the whole design is that the public will be able to create waves in the tank and see how this particular WEC captures the energy of the waves through the snake-like movement.  As long as the motion is consistent, it should be fairly simple for anyone to understand how energy is captured.”

Wading in to visitor research

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Here’s an update from intern Julie Nance as she wades in to gathering data from the public:

“Last week I began front-end evaluation – talking to people out in the Visitor Center to get their opinions for the climate change exhibit.  I had them choose what case study they would want to learn more about, from a set of 14 pictures (species affected by global warming such as salmon, pteropods, etc).

 

I wrote down what everyone said and came up with some interesting trends, such as how the majority of women in their 20’s and 30’s as well as school age girls chose the emperor penguin over the rest.  This wasn’t a huge surprise given the options.
So the next round, I removed the penguin and turtle to force a harder choice, so many in that age group switched to the next most familiar and cute creature: the clown fish.  As my fellow intern Nick puts it, they’re only interested in “charismatic mega fauna”.
However, there were many people who chose things that were more local and meaningful to them personally.  My favorite comment I found funny was, “I chose Dungeness Crab, because I like to eat them, and I’m interested in keeping that going.”
The two most surprising comments were from gentlemen who were roughly age 60 to 70.  This demographic is kind of stereotyped as being very skeptical of climate change, and I will admit that I pegged them as probably being in that group.  One chose phytoplankton and said, “they are basic foodstuff.  They’re at the bottom  of the food chain, so that has effects all the way up.”  The other chose algae and said, “some people don’t believe [climate change] and think it’s ‘business as usual’, but I don’t think so.  Algae will probably be one of the first affected.”  Wooohoo!  You go dudes!  Thanks for changing my perception.

This week I’m preparing for the next phase of evaluation in which I will get into more detail with visitors about the exhibit itself, how it will work, and what types of resources they would want available on it.  A graphic designer, Alison, who works on projects for the VC is making a graphic for me to print and show to visitors while I talk to them about the exhibit.  This will really help them to visualize what I’m talking about.

The psychology behind talking to people and getting their opinions is staggering.  Every question, phrase, graphic, etc. I use goes through this complex interview process in my brain.  I wonder things such as, “how might people misinterpret this?”  “Will using this picture bias people’s responses?”  “Will using this phrase turn people away and change their answers?”  “If I color code, what are these colors going to make people think?”
That last one is big right now, along with positioning of things.  I am going to ask people to self-categorize into one of the groups from “Global Warming’s Six Americas,” but the graphic I was going to use from that study has different colors for each and I wonder if people will choose their favorite color, or think that one color is better or more desirable or think that I as the researcher want to lean them a certain direction based on the color or position.  If I lay out the 6 options top to bottom, it makes the top seem to be best and the bottom worst.  Colors- are warm or cool colors more acceptable and which do I appear to be favoring?  If I lay them left to right it might feel best to worst on a spectrum, or perhaps even political left wing/ right wing.  When you are doing research with human beings, whose thought patterns are so complex, you really can NOT control for every variable and you just have to do your best and realize that the results are influenced by many things.”

Learning from each other: Visiting other museums as a professional

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As Susan posted, several of the students working with Shawn and on various projects related to the lab took a field trip to a couple of other local museums. It’s something a lot of us in the field seem to do (or at least, that’s my impression), as museums seem to vary so much from community to community, even when they’re all science centers or all art museums, etc. There’s always something innovative going on (usually to manage tight budgets), and it’s really valuable especially to get to talk to other professionals at their home sites. I’ve visited large-city museums that were traditionally curatorial re-vamp their spaces a few at a time and create entirely new full-time programming to work in the new century (the Science Museum of London and its attached Dana Centre), and small-town places with hands-on versions of history and science rolled into one (the Mid-America Science Museum in Hot Springs, Arkansas has a great crawl-through cave exhibit “Underground Arkansas” alongside a good deal of Smithsonian Institution offerings). Each time I go, I see a bit of the familiar and a bit of the unique and local flair.

For instance, at the Science Factory, we found that a staff of 10 (not all full-time) plus a handful of contractors put on 9 weeks of sold-out summer camps a year, serving about 300 kids, even though their overall annual visitation is only about 37,000. For comparison, Hatfield gets 150,000 visitors, not including school groups, each year, and I don’t think we put on that many weeks of camp! In addition, as the building is in Alton Baker park, literally in the shadow of the U of O football stadium, the museum closes on game days due to the sheer traffic tangle. However, they turn around and sell tailgating parking and throw in membership as part of the package, raising a good deal of revenue when they might otherwise be losing money. To top it all off, they manage to rotate their exhibition about 3 times a year.

The Jordan Schnitzer Art Museum had its own issues; since they’re located on the main campus, parking is always a snag. And prior to a recent renovation, the building was so imposing and so not-well-marked that people actually had to ask if they were allowed to enter (our Physical Dimensions of FCL online class explores entrance spaces as an assignment). Now they have thriving adult programs as well as a full complement of tour groups. They are of such a size that they are rotating exhibitry nearly constantly, based not only on special long-term touring shows but also on the needs of professors who may change out a few pieces for a class.

This last part led me to ask about their volunteers who lead tours and how they keep up with all the changes. Just like the volunteers at Hatfield, the JSMA volunteers (“experience interpreters” rather than docents) have to be prepared for anything, since they aren’t always aware even when they start a tour what they may encounter. But their volunteers also undergo extensive training, spending about 4 hours a month in training on top of volunteering up to 3 days a month. Not only do they get updates on content of exhibits, but they also spend a lot of time practicing interaction techniques, which I witnessed as Sharon led a group around before we sat down with her. She had a camp group of maybe six 8-year-olds and had stopped them in front of a piece. She asked the group, “Do you think the building here was built fast or slow?” When two of the group had different answers, she asked them to justify their answers. I moved on before I heard how well they complied, but she certainly had the attention and participation of most of the group (ok, one of them was over on a nearby cushioned bench making face-down “bench angels”). Sharon told us that this was a concerted effort made over the past several years to encourage interpreters to go beyond simply delivering information.

What other places have you visited, and how are they making things work in creative ways? The Museum 2.0 blog is a great example of organizational change over the past year at the Santa Cruz Museum of Art.

Preparing for a different type of tsunami

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Another of our interns, (actually, they are all Oregon Sea Grant Summer Scholars), Nick, lets us know what it’s like trying to prepare for the “visitor tsunami” that’s bound to occur when we get our third wave tank all set, based somewhat on the inundation he gets as an on-floor interpreter:

“Working as a docent for the front desk and touch pools has provided abundant opportunity to interact with the public and I seem to learn as much information as I provide. Visitors ask so many interesting questions and also ask about local marine events: how is the Sea Turtle doing that washed up on the shore, inquiries about the tsunami debris and recently the Brown Pelican crisis at the Yaquina Head seabird colony. Visitors also bring in some unusual items and ask for help identifying them; one man brought in an orca tooth that he had discovered eroding out of a cliff.

Among my favorite duties is acting as the guide for the daily tour of the Yaquina Bay estuary describing the marine plants and animals of the bay. Participants especially like discovering the tiny crabs that are often living under the very rocks they are standing on. It is pretty rewarding and members of the tour group have often told me that after taking the tour, they now want to become marine biologists.  I have also been helping with the Ocean Quest multimedia presentation in the auditorium. We have been working out the bugs in the presentation and it is finally at a point where we are happy with it.

Our main project involves working on three wave tank exhibits. Brian has been working with the wave energy exhibit, designing an experimental “wave power” device that looks like a futuristic mechanical snake. Diana has been working with the erosion tank and has had to be vigilant in order to prevent the “sandy beach” from becoming a mess from enthusiastic children. My project has been working with our tsunami tank. I have been working on designing ideal tsunami proof structures as well as showing buildings that will not be able to survive the wave. Using Legos as building materials, I have attempted to construct scale models of different building to see if the various designs are demolished or not with the wave tank.

The tsunami project has had some problems associated with it. For starters we have had endless computer glitches and malfunctions that often make it difficult just to run the machine. We have also been experimenting with different lengths of continental slope (represented by an acrylic ramp). Additionally, we found that Legos seem to stick together really, really well….sometimes so well that buildings that should be demolished are still left standing!  We have had to resort to sanding the individual bricks so that they do not stick together as well and will better represent actual building materials. We are hopeful that these problems will be fixed within a few weeks when we plan to open the tank to the public. The educational intent of the display is to challenge visitors to construct a building that can stand up to a tsunami wave. We are confident it has the makings of a fun and interesting exhibit and hope it will be very popular with our visitors!”