…that I would grow up to be a pseudo computer nerd doing stuff related to animals. (sarcasm…)

I was recently reminded of the online game Neopets*. Anyone out there remember this game? Mom – do you remember me playing it?

One of my favorite Neopet species – the Bruce. Image from: http://www.neopets.com/allpets.phtml

It was sort of like a computer based Tomogatchi and Pokemon hybrid. You had pets, that were cute and colorful and had names. You had to take care of them, and you could play games with them. You’d collect points (Neocoins) that you could use to buy things for your pet, all that good stuff. You could also have a store in the Marketplace where you could sell extra stuff you had, or buy from others. This is where I should have known I was going to grow up to be a giant dork who finds joy in creating things on computers.  I LOVED working on my storefront. I loved teaching myself HTML. Then I could have the coolest fonts (WordArt anyone?), sweet backgrounds, terrible color combinations.

For many of you, this may also remind you of Myspace…another great venue for my web customizing talents. I was pretty late to the Myspace game, but when I did, I made sure to try and have the MOST personal and customized page.

So what does any of this have to do with marine bioacoustics? Um…nothing really? I was just having a lot of fun making some animated spectrograms (see here for the HOW TO – thanks MicheW!) and I think that is what got me thinking about all this. Plus Samara said she remembers this too, so I’m not the only one.

Disclaimer

*this is somewhat deceiving. I made it sound like someone else reminded me of Neopets. That’s not true. Ah the pitfalls of passive voice. I (me, Selene) remembered Neopets all on my own. I’m not sure why or how. But then I ended up googling it and it still exists and here we are, and I’m writing this, fighting the urge to make an account again.

Most of my time with bioacoustics, thus far, has been with playing sounds – my master’s work with an active acoustic tag – or with identifying odontocete, or toothed whale species, in glider data (typically known as high- or mid-frequency vocalizations).

For my PhD, I’ll be expanding what I know about whale acoustics and looking at baleen whales from glider and float data as well. I started into this the last few weeks and it has been fun, but definitely feels like a step back in time trying to look up literature and see what exactly I am hearing in the data – I’m not used to working with low-frequency sounds.

Low-frequency sounds

What do I mean with low- vs high-frequency sounds? These labels are based on human hearing (of course). Humans (babies!) can typically hear from 20 Hz (hertz) to 20 kHz (kilohertz…hertz*1000; 20 kHz = 20,000 Hz). As we get older we start to lose hearing on the higher end. But marine mammals vocalize both below and above our hearing range. The low/high delineation is “generally” accepted at 1 kHz, and typically baleen whales vocalize below this, and toothed whales vocalized above this. But remember, this is just USUALLY. There are always special cases that don’t follow the trend, and its all relative terms when calling things low and high.

Mellinger_etal_2007_fig1

This figure from Mellinger et al. 2007 is a great way of see where certain species typically vocalize. (Click he figure to link to the PDF of the paper and zoom in)

Looking at sounds

So since some whales make sounds below my hearing range, and some make sounds above, how do I hear them for analysis? Well first of usually I am identifying sounds by looking at them, at a spectrogram (we’ve posted those before right?).

Then sometimes I need to listen AND look to identify what the sound is, or gather more info about it. Wonderfully there is a work around. For really LOW sounds, you can play  them faster, and then that increases the perceived frequency, so you can hear it. Vice versa, for really HIGH sounds, you can play them at half speed, which changes the perceived frequency, and then you can hear them. Does anyone remember Yakbaks? Speeding up your voice makes you sound like a chipmunk, slowing it down makes you sound like…a whale?

 

If you are interested in hearing some baleen whale sounds, sped up so you can hear them, look here: http://cetus.ucsd.edu/voicesinthesea_org/species/baleenWhales/blue.html

You’ll see that on the spectrogram it says *recording plays at 6 times normal speed for better listening.

But this one (http://cetus.ucsd.edu/voicesinthesea_org/species/beakedWhales/cuviersBeaked.html) is played at 1/10th the speed so you can hear it!

How high can you hear? I lose the signal at about 17 kHz 🙁

Greetings extensive readership!

In the midst of the summer and early fall when I was traveling a bunch and doing field work, I remember thinking how nice the term would be to be in one place for a while and get some analysis/other work done. What I didn’t realize was how unexciting my life would be for blog posts….

I guess excitement depends on your interests, though, because for me there have been SOME exciting moments standing in front of my computer. I’ve spent the last month putting my master’s on hold, instead analyzing acoustic data collected from one of our gliders that was deployed back in March, and then deploying and analyzing another glider all within the month of October. Want to see what I found? Good. I was going to put in the images anyway.

Here's a Stejneger's beaked whale click.
Here’s a Stejneger’s beaked whale click. The top image is a long term spectrogram, or LTSA, that shows 15 minutes. All the little bits around 50 kHz are beaked whale clicks. The middle spectrogram just shows one click during a fraction of a second, and the bottom shows the wave form, or the amplitude of the click.

From the March deployment, the excitement came in the form of TONS of beaked whales. Like so many. Like all the time. Including the super weird looking Stejneger’s beaked whale (Mesoplodon stejnegeri). I can tell the species by what frequency the click is at, how much time there is between clicks (inter click interval, aka ICI fyi), and the duration of the click. They are all unique features for this species of beaked whale, which I know thanks to other people confirming that by combining visual and acoustic data like was done by theses lovely folks at Scripps.

 

Here's two porpoise species detected together - Dall's porpoise and harbor porpoise
Here’s two porpoise species detected together – harbor porpoise (the two higher frequency red specs) and Dall’s porpoise (the middle, slightly lower frequency). All together a bunch of those clicks make up that light blue section in the LTSA on the top.

The March deployment also brought excitement through porpoise recordings! Did I mention that glider was the first of its kind to record ultra high frequencies? We used a 394 kHz sampling rate, which means we could detect vocalizations up to 196 kHz, which is where porpoise and a few other odontocetes (toothed whales) vocalize. Most equipment doesn’t sample that high (memory gets filled too fast) so this was pretty neat-o. I’m a big fan of looking for these ultra high frequency encounters because they are so obvious in the upper part of the LTSA, far above the background noise.

And like I mentioned, I did go out in the field one day. We deployed one of our new gliders for a few days just outside of Newport in early October, and I went out on the recovery. I took this one super exciting picture of these gulls on the back of the ship. You’re welcome.

Piper helped Holger and Alex prep Will the glider before he got deployed in early October.
Piper helped Holger and Alex prep Will the glider before he got deployed in early October.
These gulls agree with "no excitement November". Until I threw pistachio shells over the side. Sadly this is the only picture I took of the whole glider deployment.
These gulls agree with “no excitement November”. Until I threw pistachio shells over the side. Sadly this is the only picture I took of the whole glider recovery.