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SeaBASS attendee and UCSD PhD student Jeremiah Karnowski experiences masking

Holger, Selene, and I spent all of last week participating in a Marine BioAcoustics Summer School (SeaBASS), hosted at the National Conference Center in Washington, D.C. (well, near D.C. – technically were were in Leesburg, Virgina just beyond the temptations of our nation’s charismatic capital city.).  I think I can safely say that we are collectively exhausted, inspired, and academically saturated.  It has been glorious. Before the glow wears off, and the social media requests from all of my new colleagues and friends stop rolling in, I thought I’d take a moment to recap the experience.

SeaBASS, for those unfamiliar, is a week long intensive bioacoustics course headed by Dr. Jennifer Miksis-Olds of the Penn State Applied Research Lab, and Dr. Susan Parks of the Syracuse University Biology Department.  The goal of SeaBASS is to “provide the opportunity for graduate students interested in pursuing careers in marine bioacoustics to develop a strong foundation in marine animal biology and acoustics, foster technical communication across disciplines, and to develop professional relationships within the field.” (Taken from the 2014 SeaBASS handbook).  To achieve this, Susan and Jenn invite experts from the field (including ORCAA’s own Dr. Holger Klinck) to give half day seminars on topics relating to underwater sound and the behavior and biology of the marine organisms who depend upon it.

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ORCAA’s Selene Fregosi, and honorary ORCAA affiliate Dave Cade (OSU CEOAS Allumni, and Standford PhD student) using acoustics to answer the question “why is the sky blue?”

Topics broadly cover the field of bioacoustics, which is simultaneously interdisciplinary and highly specific.  This year topics ranged from the fundamental physics of marine sound (taught by Dr. Adam Frankel– a fellow humpback whale specialist and senior researcher in the field of marine bioacoustics), to echolocation (taught by Dr. Laura Kleopper, powerhouse marine bioacoustics newcomer, and inspiring woman in science), with stops along the way to study Acoustic Density Estimation (SeaBASS favorite Dr. Tiago Marques, of University of St. Andrews), active acoustics (Dr. Joe Warren of Stoneybrook University), Animal Communication (Dr. Sophie Van Parijs– NOAA scientist and oft cited acoustics expert), Impacts of Noise (Susan Parks of Syracuse University), Hearing (Dr. Michelle Halverson) Passive Acoustic Monitoring (Holger Klinck, our fearless leader),  bioacoustics “Hot Topics” (Jenn Miksis-Olds), and my personal favorite Sound Production in Fishes with the Cornell Bioacoustics Research Lab’s own Dr. Aaron Rice (Holger tried to convince me to do my PhD in fish acoustics once, I laughed at him… I was so naive).

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ORCAA’s Michelle Fournet (me) sneaks a snapshot in during a SeaBASS group photo.

I have to admit I’m glad I didn’t see the line up before I got on the plane to head west.  If you’ve spent time in the field of bioacoustics most of these names you are likely familiar with, if you’re not – now’s a good time to head over to google scholar and check out their work.  The initial intimidation factor was high, but I’m pleased to say the interactions were the opposite.  All of the presenters went out of their way to interact with the students on both a professional and a personal level (I’m tempted to post karaoke photos… but I won’t… not here).  I got career advice from the greats (work-life balance anyone?  I have two dogs and a garden, I plan on keeping them once I’m done with a PhD), learned about the elusive mating habits of the wild haggis (to hear a mating call of a wild haggis click here), and made some important connections both with the presenters, that I now feel comfortable considering my colleagues, and the other students who I now consider friends.

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Michelle Fournet and Syracuse University’s Susan Parks nestled below Jeremy Young (UH- Manoa), Cornell’s Aaron Rice, Mike Bollinger (UT- Brownsville) and Dave Cade (back, Stanford).

I could go on for pages about my experience, I learned new material and reinforced some of the principles I’m already familiar with, I furthered my research, I drank beer while talking about acoustics (so much fun… seriously…. so much fun), and helped myself and others to find their inner spirit animal.  Some of these things may not make sense to those of you who weren’t there, but the take home message is this: Marine bioacoustics is a discipline, a tool, and a community that I am increasingly excited to be a part of.

PS- Stay tuned for stories about honorary OCRAA team member and SeaBASS colleague Leanna Matthews as she makes her way to Newport to test some theories on how to get small acoustic transmitters to stick to the body of harbor seals… field trials ahead?  I think so.

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Saying goodbye is never easy. So thrilled to have met Leticaa Legat (U. of Cumbria)

 

PPS- One of the most important things I learned from SeaBASS?  The value of Twitter.  Check out our Twitter feed (@ORCAALab) for a play by play of the SeaBASS action.  Live tweeting, as it turns out, is super fun #SeaBASS2014

It’s been a busy week! Holger and I were headed to the East Coast for a graduate summer workshop on marine bioacoustics (SeaBASS) and since we were coming all this way we decided to make a few extra business stops beforehand.

View from the bridge next to our hotel
View from the bridge next to our hotel in Manteo, NC.
The “super model” of wolves: sleek, lean, and all legs. Photo courtesy of USFW (https://www.flickr.com/photos/trackthepack/)

The beginning of the week took us to Manteo, North Carolina, where we met up with Dr. Becky Harrison, Assistant Coordinator of the US Fish and Wildlife’s Red Wolf Recovery Program (RWRP). Red wolves (Canis rufus) are critically endangered and can only be found in the wild in Northeastern North Carolina. About 100 wolves currently inhabit the area, all because of ongoing recovery efforts including captive breeding and release.

We’ve been talking with Becky about potentially collaborating with the RWRP to collar red wolves with our Carnivore Acoustic Tag, allowing us to learn  about red wolf vocal behavior, prey preference, and even the potential impacts of noise. It was great to meet Becky and the knowledgeable field team to learn more about the program and discuss potential applications and tag development, including special considerations for red wolves and their wetland habitat. She even took us out to see a few captive individuals and see the Pocosin (I had to look up what that was). Be sure to check out RWRP to learn more about the program!!

This guy is wearing a VHF collar so the wildlife biologists can check in on him. Photo courtesy of USFWS (https://www.flickr.com/photos/trackthepack/)
This guy is wearing a VHF collar so the wildlife biologists can check in on him. Photo courtesy of USFWS (https://www.flickr.com/photos/trackthepack/)

Next stop was Woods Hole, Massachusetts to meet up with our super awesome “tag guy” Dr. David Mann of Loggerhead Instruments. David is part of the Pinniped Acoustic Controlled Playback Experiment and we are currently working on improving that tag for future deployments.

Sometimes in grad school you learn things that have nothing to do with your research.
Sometimes in grad school you learn things that have nothing to do with your research.

Or should I say he is working on the tag improvements while Holger and I are improving our wildlife handling skills? There were two baby raccoons that had been trapped in David’s chimney for two days that Holger decided had to be rescued ASAP. Sometimes science has to wait!! I’m happy to report we got them out and released them last night.

We named this one Shaky.
We tried explaining that we were trying to help them but they didn’t really believe us.

Our busy schedule continues tomorrow as we head to NOAA’s Northeast Fisheries Science Center in “downtown” Woods Hole for some meetings with Dr. Sofie Van Parijs, one of the co-PI’s and collaborators on ORCAA’s NOAA Ocean Noise Reference Station Network Project!

**East coast bias is a term used in sports describing the phenomenon where east coast teams often receive greater respect and recognition than west coast teams. This stems from a variety of reasons including team histories and the three hour time difference. Fortunately such a bias does not seem to exist in the world of bioacoustics!