Before I went to ASA last week, I had this grand idea that I would do a sort of journal-blog thing, where I’d periodically write little snippets about what was going on and how I was feeling. I started off really well, too, but all of it basically went out the window when Holger came to pick me up Sunday morning.
Let me preface this post by saying that most of the other members of ORCAA have been to a big conference before, including this one last year. This was my first—I had given poster presentations at small symposia, but nothing like this. It was also my first proper presentation.
The first thing you have to realize about ASA is that it’s the Acoustical Society of America. This means that any field that has anything to do with acoustics is invited. Biomedical acoustics, architectural acoustics, musical acoustics…these are just a few of the technical committees represented at this conference. It’s overwhelming. Mostly I hung around with the Animal Bioacoustics crew, which of course makes sense—this is most of what our lab does. I met tons of amazing people: other students, post-docs, researchers, professors. I even reconnected with several people from my old lab, the Cornell Bioacoustics Research Program.
My talk was on Monday, in the first session. I honestly don’t remember giving it, except for the point when my slides skipped too far ahead too quickly and when Niki dropped her cup and made me laugh. I was told it went well, though. I do remember answering questions, and feeling like I was able to respond to whatever was thrown at me without embarrassing myself. I even worked in a great response involving natural selection.
The nice thing about having your talk in the first session on the first day is that you have the rest of the conference to relax. The bad thing about having your talk in the first session on the first day is that people don’t always make it to see you. Many friends I made throughout the week didn’t get the chance to see me speak, and nor did one of the best connections I made during the week, Andrea Simmons. Andrea has been doing frog bioacoustics work at Brown for a long time, and I got to talk to her about both her work and mine on the last day I was there. She seemed very interested in what I’m doing, especially moving forward with the work I’m planning for my Ph.D. She also wants to come out and record our invasive bullfrogs with her array!
There were so many amazing talks given by tons of amazing researchers. I learned about horseshoe bats and their weird head movements. I learned about greater prairie chicken vocalizations. I even learned about frog-biting midges that are attracted to their prey through mating calls! And oh, the things people are doing with marine mammals! Marine mammal researchers get the coolest toys, I swear. Arrays and tags and three-dimensional plots of dives…so cool!
The entire experience was overwhelming, intense, and immensely gratifying. I felt humbled to be a part of such an amazing group of researchers, and proud and grateful to be welcomed among them. You only get one first big conference, and I like to think I nailed this one.
I’ve made a Storify of my tweets and others from the conference that you can see here. There was a budding and tight-knit social media presence at the meeting this year, which was great to see; a lot of the friends I made were made through Twitter! Other awesome ASA Storify collections can be found here by Ben Taft, and here by Will Slaton (two of my fellow live-tweeters).
Classes have started again here at OSU. I know this is old news for those east coast universities that start classes in late August or early September, but here in Ye Olde Oregon fall starts late… so school starts late. As a PhD student I’m no longer required to take classes at the university, and having just pushed the paperwork through on our National Park Service Grant I will soon be exclusively a GRA (graduate research assistant) and will no longer be required to teach courses either. For now, however, I am both student and teacher — taking classes and teaching them.
I love teaching. Rare for many researchers I know, but for me – true. I find it helps me to synthesize my thoughts, to approach science creatively and simply, and to consistently reference back to the basics. In my tenure as a graduate student at OSU I’ve been privileged to both TA and instruct classes in basic biology, ecology, intro to anatomy, physiology and the disease, marine biology, marine mammal science, marine habitats, and (my all time favorite) field sampling. FW255 — field sampling — is a required course for all of our Fisheries and Wildlife undergraduate students; I’ve been a GTA (graduate teaching assistant) under the brilliant and compassionate guidance of biological oceanographer and community ecologist Dr. Doug Reese for four quarters. The course gives students the opportunity (under the instructors’ guidance) to design and execute field studies at the Finley Wildlife Refuge. Courses range from comparing predator habitat use, to investigating the impacts of beaver dams on water clarity, to chronicling avian community structure. I know. Our students are impressive, creative, young minds.
For my part I see participating in this course as an opportunity to introduce undergraduate students to acoustic ecology. In my tenure I’ve guided students through studies that seek to aquatically detect amphibian species, investigate the impact of diel vs. nocturnal raptors on songbird communities, and studies that use acoustics (playbacks and recordings in this case) to test for territorial responses of red-winged blackbirds to encroaching yellow-headed blackbirds. Currently we’re starting up two playback studies; one study uses acoustic playbacks to investigate the impact of raptors on waterfowl, the other which will asses behavioral responses of elk to breeding calls (assuming we can find the elk — backup plan includes tracking elk and using trail cams. No student left behind here).
While there’s a lot to love about teaching this class (I spend two days a week hiking through a wildlife refuge looking for animals, I can pay my rent each month), there are a few things that really strike me as I start up my fourth quarter interacting with out students in the field. First, I have a lot to learn. Whenever I start to feel like I understand something in its entirety, be it about ecology or about bioacoustics, a student asks me a question I don’t know the answer to. I then go home, look it up, and learn something for the both of us. It is simultaneously refreshing, inspiring, and humbling. Good qualities for any PhD student to embody.
Second, teaching is valuable. While I believe that my research has, and will continue to have an impact of the world around me, when I teach I can see the impact. My students start the quarter not knowing how to do something (“What is a quadrat?”), perhaps lacking direction (a.k.a. don’t know how to operate a GPS), and are sometimes a little short in the inspiration department (“What study do you think I should do, Michelle?”), but when then leave? By the time my students hand in their final papers — a full scale research paper, intro, methods, results, & discussions, stats and all — I can see that they have changed (“We used a one square meter quadrat to investigate insect biodiversity between the upland forest and the agricultural lowland riparian zone”). Further, the relationships that I see unfolding in our class between the students and their groups, and the students and Doug and myself, are proof to me that doing science is a powerful tonic for a healthy life. Not everyone loves teaching, not everyone gets it, but for me (at least for now) it’s nourishing to put big picture impacts into real world perspective.
So yes, I am a teacher. Yes, I am a student. The teacher is a student & the students are the teachers.
But enough with philosophy (Niki’s really much better at that than I am). While 99% of the time I love teaching… no one can deny that this is also true. Cross your fingers and I may just graduate some day.
If you’ve been keeping up with all the goings on of ORCAA students this summer, you might think our lives as grad students are full of glamorous field work. I’m sorry to report that there is more to being a grad student then picturesque moments with charismatic study species in beautiful locations. We spend the majority of our time in front of a computer, and much of that time is spent writing. I used to find the idea of writing a thesis quite overwhelming, and sort of dreaded it. But writing is how we, as scientists communicate with our peers and with the public; it’s the most fundamental way we make our research mean something! So I decided I better get used to it, and get better at it ASAP.
This summer I was lucky enough to spend an entire week learning about writing. I took the special Thesis Writing class taught by Dr. Vicki Tolar Burton of the Writing Department here at OSU. This class wasn’t just about sentence structure or grammar (affect vs effect, anyone?), but was all about figuring out how I operate as a writer and developing writing-habits and productivity tools so I can sit down to write and, well, actually write! We wrote all day for 5 days – no cell phone, no email, no errands – then met for 2 hours each evening for peer review and discussion. I was surprisingly exhausted by the end, but I finished the class with a more positive confidence about writing. I not only gained some valuable writing habits, but more importantly I learned how to try new tools and evaluate their effectiveness for me personally so I can continue to develop as a productive writer.
My favorite part of the class was discovering my five Character Strengths and learning how I can use them to find success as a graduate student, in writing and otherwise. My top five described me perfectly, and although I first thought they seemed like weaknesses when it came to writing, by the end I was able to see how I can use them in the best way possible. You can find your own here; it’s worth registering.
Play “but also counts as work” Hard
So after my week of writing I was ready to get back to the fun stuff (someday writing might be fun…). Some folks from Hydronalix and NOAA came out to Newport to train Holger, Alex and I to drive and care for one of ORCAA’s newest toys: the EMILY. The EMILY is a totally awesome remote-controlled boat I suspect was built just for scientists like us who aren’t ready to be adults quite yet. They are currently used by beach lifeguards as rescue buoys and there are plans to send them kamikaze-style into hurricanes to collect storm data. ORCAA has plans to tow a hydrophone behind it and listen for ultra high frequency cetaceans (eg harbor porpoise) off Newport’s coast where NNMREC tests wave energy devices. EMILY needed some modifications for the conditions here in Oregon (too much seagrass!!) but we got her up and running and only had to carry out a few rescue missions with the skiff. I’m looking forward to getting some more time with these little torpedos!
These pictures may look familiar if you follow us on Twitter @ORCAAlab.
Beautiful day for some remote-controlled boat driving on the OSU dock.
Our fleet of EMILYs, ready to be launched.
Success!!!
Software used to steer EMILY just where we want her.
Joe and Holger bringing an EMILY in after the intake sucked up too much seagrass.
Our very fancy mesh and duct tape kelp-excluder-screen. Best part is, it actually worked!
And the living is not necessarily easy but certainly more easily entertaining. Besides the wedding season it’s also conference season. All the lab-mates travel on the other edge of the country (USA) for summer schools, meetings, exciting field trips and pilot classes (stay tuned and Selene has some stories to tell). I made it to the other end of the Atlantic and all the way to my beloved motherland. My first time participating at the Underwater Acoustics meeting, an international conference that took place at the Island of Rhodes in Greece, just a few days after the meeting of the Acoustical Society of America that took place at Rhode Island in USA. Appears that the islands of roses (Rhodes derives from the Greek: rhodo which means rose) were acoustically active this summer. Coincidences are fun.
Four exciting projects were presented by OSU people.
Haru Matsumoto, had a presentation with the imaginative title: “Antarctic’s Siren Call: The Sound of Icebergs”. I absolutely love it when people use a cool title for their scientific projects! His talk and his project was as exciting as it sounds and it was by far my personal favorite non-bioacoustics talk of the conference. Haru showed how the sound of melting icebergs affects the noise budgets in the South Pacific Ocean. The disintegration of two large icebergs at Antarctica produced low frequency sounds, so loud that they propagated and got recorded across the equator up to 8o N, 10.000 km away from the icebergs! He measured an increase of the noise level by 6 dB and 3 dB in comparison to baseline years (when the melting icebergs were absent). If 3 and 6 dB doesn’t sound like a significant increase to you then you are probably not aware of the decibel scale. This Radiolab podcast “The Walls of Jericho” will entertain you and will explain in a simple and funny way how this scale works.
Lately we have been seriously concerned about the shipping, airguns, naval sonars and other prominent man-made noise in the ocean and how they interfere with marine life. Haru’s presentation opened a window to think how a non-anthropogenic sound source can have such an impact to the marine soundscape, and potentially impact specifically the largest baleen whales (blue and fin whales) that also vocalize at low frequencies (below 100 Hz). Even though natural, the melting of the icebergs can be effected by anthropogenic activities, in particular the human induced climate variability and global warming. No need to be more specific, feel free to consider further potential ecological implications.
Bob Dziak presented, through Haru (unfortunately Bob was not able to make the Oregon-Greece 20 hours long travel), the “Sources of long-term ambient ocean sound near the Antarctic Peninsula”. Bob’s project was one step more general and inclusive. He described the contribution of a variety of sound sources to the soundscape of the frozen South. Acoustic data were collected during 4 years using 2 hydrophone arrays and the results indicate that the main factors of sound production or “noise” (depending from which point of you look at it: the biologist’s or the geophysicist’s) around the Antarctic Peninsula are the icequakes (acoustic signal derived from fracturing of large free-floating icebergs or ocean front icesheets) and the whale calls!
The weather conditions are too rough for sound-measurable human activities and both the blue and fin whales seem to take advantage of this human-almost-absent corner of the world. The sound of the ice breakup and grounding is clearly the most prominent sound source in the Southern Ocean Basin but it varies seasonally. Bob’s presentation (same as Haru’s) made me switch my perception of summer and winter for a bit. In Antarctica, during the austral summer the increased temperatures result increased icequakes and the release of acoustic energy. The opposite happens during the austral winter when the icesheets form, even though the wind speed increases. The giants of the Antarctic Peninsula seem to follow the freeze-thaw cycles and their peak season matches the sea-ice-cover-minimum of the austral summer. Consequently if you want to see fin and blue whales when in the North Hemisphere is still winter, chase the summer down as south as it gets…
This conference was an excellent opportunity to reunite with ORCAA’s favorite Naysa. It had been almost a year since Naysa left Newport, after her few-months stay and collaboration with the CIMRS, and it was an indescribable pleasure to spend some warm Greek time with her and watch her awesome presentation on “Acoustics as a tool to reveal population structure of the elusive blue whale”. Naysa talked about the smallest subspecies of the largest animal on earth. The pygmy blue whale. She used 5 sites in the SE Indian and the SW Pacific Oceans to collect 3 years of acoustic data to
determine the occurrence of pygmy blue whale in these locations. Apparently th
is species produces 5 regionally-specific calls: the Madagascan, Sri Lankan, Australian, New Zealand and Solomon type. Naysa used an automated method (detector) and was able to detect the “Australian” and the “New Zealand” dialects at the SE Indian and the SW Pacific Oceans respectively and her results provide evidence of a previously unknown population, the latter one! Naysa’s study is an excellent example of the numerous applications of acoustics, particularly to the population and movement patterns of marine mammal species over large spatial and temporal scales. The more I enter into the acoustics field the more excited I get about the knowledge and information that the sound solely can reveal us, especially about elusive cetaceans, like Naysa’s pygmy giant.
In the Ocean it is a common truth that what the eyes cannot see the ears can hear!
After seeing Naysa’s presentation I have one technical advice for presenters. Go simple or go home! She managed with minimum text, probably no text at all, pretty slides with most of the times just one picture, to get across her messages and keep the attention of her audience! Focus on the gist of your talk and feel confident to leave the details out giving the opportunity to people to ask for them if needed.
For my presentation we move back to the North Hemisphere and head eastwards. I presented my work at the Greek seas with the title: “Passive acoustic detections of odontocetes in the Ionian and Aegean Seas, Greece”. Even though cetology was born in Greece (as mentioned in my first post: The philosophy of sound) 2500 years ago, little research has been done in the Greek seas since then. Mainly the Ionian Sea (west of continental Greece) has been investigated and almost exclusively during the warm summer season, while the cetacean populations in the Aegean (east of continental Greece) are largely unknown. I used 2 hydrophones during 19 and 10 months to assess the seasonal occurrence of different species in these two regions and determined the seasonality of especially the sperm whales (that I particularly love, usually dream of, and I am overall obsessed with) and the delphinids. I am proud to have performed the first long-term bio-acoustic monitoring study in Greece and looking forward to going out to the clear blue Greek waters to collect ground truth data necessary that will allow us for first time to tell apart the different dolphin species that dwell the Aegean! Any funding suggestions anyone…? If you do, you are welcome to join me at an Aegean cruise chasing dolphins!
My presentation was a poster and even though I am usually not very fond of this form of communicating my work, there is no way that I could have had a better result/impact and feedback. While I was thinking that 3h of a poster session would be dull and endless, I ended up spending more than 5h chatting about gender determination, localization of my animals with one single hydrophone (!), acquiring more acoustic data, using my spectral information for species detection, and getting inspiration from wonderful colleagues coming from Italy, Australia, China, Israel, San Diego, Boston, Pennsylvania and around the globe.
Poster take home message: if the number of posters is low (<10), dare to submit one, especially if the number of parallel oral presentations is high (>=3).
This has been a wonderful and productive meeting! 5 days of underwater acoustics bliss. Listening and talking about the sound in polar areas (always fascinating environments), about bubbles (it might not be as etheric as it sounds but still interesting), oil and gas, renewable energy, hydrophone calibration, soundscapes, ships and noise, sonars, super-cool technologies that make me want to be an engineer, a bunch of marine sound-related stuff and of course whaaaaaaaaaales! Besides the days, the nights were equally exhilarating but in a more social way.
I met people from all around the world with whom I shared scientific ideas, PhD and work related concerns, personal perspectives and liters of raki 😉 It is always good to combine work and fun. Even better when work is fun. That is certainly true for my case and I bet for my ORCAA mates too. Lucky people!
See you all again at the next Underwater Acoustics meeting in Greece.
Next blog-post will include some of the Greek summer sunlight, the salty flavor of the Mediterranean and the sound of cicadas.
It’s been a busy week! Holger and I were headed to the East Coast for a graduate summer workshop on marine bioacoustics (SeaBASS) and since we were coming all this way we decided to make a few extra business stops beforehand.
The beginning of the week took us to Manteo, North Carolina, where we met up with Dr. Becky Harrison, Assistant Coordinator of the US Fish and Wildlife’s Red Wolf Recovery Program (RWRP). Red wolves (Canis rufus) are critically endangered and can only be found in the wild in Northeastern North Carolina. About 100 wolves currently inhabit the area, all because of ongoing recovery efforts including captive breeding and release.
We’ve been talking with Becky about potentially collaborating with the RWRP to collar red wolves with our Carnivore Acoustic Tag, allowing us to learn about red wolf vocal behavior, prey preference, and even the potential impacts of noise. It was great to meet Becky and the knowledgeable field team to learn more about the program and discuss potential applications and tag development, including special considerations for red wolves and their wetland habitat. She even took us out to see a few captive individuals and see the Pocosin (I had to look up what that was). Be sure to check out RWRP to learn more about the program!!
Or should I say he is working on the tag improvements while Holger and I are improving our wildlife handling skills? There were two baby raccoons that had been trapped in David’s chimney for two days that Holger decided had to be rescued ASAP. Sometimes science has to wait!! I’m happy to report we got them out and released them last night.
**East coast bias is a term used in sports describing the phenomenon where east coast teams often receive greater respect and recognition than west coast teams. This stems from a variety of reasons including team histories and the three hour time difference. Fortunately such a bias does not seem to exist in the world of bioacoustics!